Evolution of Female Nude Figures in Art

Evolution of pistillate nude person Figures in contrivance bareness in contrivance as he guiley as the human form defy hobo be traced through out all the terms in wile st cheating from pre-historic times and still being verifyn in to solar days dodge, of late in photography as salutary. The bare fancy in art has gen erally reflected, with few exceptions, social standards of aesthetics as well as righteousness of the certain time period in the flick, shape and much than recently photography. Just as in human history the human unclothed bode has been one of the principle slips in art history for artists. The au naturel(predicate) person bode has been even uped on pre-historic statues and moving pictures passim all eras since. The young-begetting(prenominal) naked person shape sculpture was more(prenominal) commonly used in the start, especially in antediluvian Greece. Today society and their morality, values and outlook on life has evolved and as well so has the egg-producing(prenominal) au naturel(predicate) person in art, lately to be more highly formed and regarded. Today, un comparable in the past many cultures delight in of nudity in art level(p) when they dont approve of actual nudity. For example, even an art gallery which exhibits nude statue paintings will typicly non allow nudity of a visitor. Just like the womanly nude figure has evolved throughout art history collectable to social, political and religious influences so has all art through the years. Evolution is part of life and so is art, thus art has evolved through the and just like evolution influences choose upon changes in art, it is safe to say that art influences graphic, interior architectural and otherwise design throughout the eras.The evolution of the feminine nude figure throughout art historyThe nude figure may be indifferent in Egyptian, Persian, and Etruscan art simply definitely not from Greek art. The Greeks keep an eye onmed t o acquire it, when it came to the male figure that is. The nude standing male figure in art first became popular in Ancient Greece mould art. This sculpture was associating the male figure with moral excellence and athletic power. Women however where seen in a different way when it came to nudity. The effeminate figure was associated with divinity of procreation. For about five centuries it was said that the Greeks preferred to see a female figure clothed. In the 4th century BCE sculptor Praxelitis carved Fig.1 (Knidian Aphrodite,) a bare-ass Aphrodite. This established a new artistic tradition of the nude female form.This sculpture was not like the exaggerated fertility figurines from the Middle easterly but was sculptured using idealized size and residual that were found on mathematical ratios. Here the female nude has a self-protective trounce that adds to her modesty. This is seen through the way she is holding her hand and covering her elicitual organ. This sculpt ure was created to portray the ideal version of the Greek female nude. This female nude was also designed to appeal to the viewers senses as well as his mind. This way of portraying the female nude figure was later choose by Hellenistic Greco-Roman art and later discarded during the kiss of peace Romana era. Some of the finest Greek sculptors of female nude statues include Phidias, Polykleitos, Myron Praxiteles and Hagensandrus, Polydorus and Athenodoros. It is also eventful to note that the Harappan culture predates Greek art by about devil Millennia and was one of the first cultures to produce nude bronzes. In fig.2 (The Dancing misfire of Mohenjo-Daro) we see a six-inch high statuette made of the lost mount method which was cast in about 2, 500 BCE.female person Nudes in Early Christian and involved inventionThe Medieval Christian and Byzantine era, was a Christian culture from the outset. In this era the female nude figure was much diminished and nude figures were used onl y in rare depictions of Adam and Eve as well as the Christ-child figure. Female nudity was rarely seen in work from this era, rarely in paintings or Byzantine mosaic art. When it was shown in these rare cases it was associated with either feelings of shame and guilty conscience or with low-brow humor. As far as Byzantine culture was concerned, the nude male and female were too directly associated with that of pagan Greek culture.Female Nudes in the Art of the Middle AgesWhen the era of Gothic Art at long last came along, perceptions and attitudes towards female nudity in sculpture, paintings, stained glass and other types of art. Nudity became pictured as sinful, this can be seen in the well know story of Adam and Eve and the Garden of Eden. Early in the Christian era emphasis was placed on chastity discouraging images of nudeness even further. However here lies a paradox with the Gothic artists (including duomo sculptors) were permitted to alternate to the nude female figure in the name of purity, portrayed as a virginal suggestion of the body. In Fig.3 Gregor Erhart (St Mary Magdalene) we see a polychrome wooden sculpture, also known as La Belle Allemande. This figure was created by the Late Gothic wood carver Gregor Erhart in Augsburg, GermanyFemale Nudes in spiritual rebirth ArtDuring the Italian Renaissance Roman-Greco art as well as its cultural values were rediscovered. This lead to a return of the female nude to the vanguard of creativity, not only in sculpture but in fine art as well. Differing from the front eras in art the artists of the Italian Renaissance can be seen as figurative masters. These artists were not satisfied in restricting themselves to creating idealized nude female figures establish on mathematical proportions. These artists such as Botticelli, Titian and Jacopo Robusti Tintoretto cute to portray the natural full-bodied beauty of a woman. Seductive fanaticism became more important to them than the correct geometry.This chang e can be seen in Fig.4 Alessandro Botticelli (Birth of Venus, 1484). The figures of the women in this painting can be seen as much more juicy and full rounded than in the previous art eras where the proportion of the nude female figures are idealized and based on mathematic proportions. The nude female figure is naturalistically portrayed in this era.Northern Renaissance artists proven just as equally open. Jan Van Eyck was an artist from this era and had already incorporated naturalism into his paintings. Another artist from this era, Hieronymus Bosch, used female nudity to add force to his apocalyptic outlooks on that of sin as well as divine judgment. Boschs most well known painting can be seen in Fig.5 Hieronymus Bosch (The Garden of Earthly Delights, 1510). In this painting the nude figures are sinners and the downfall of human and mankind is depicted. The figures in this painting, typical to the era of renaissance, can be seen as naturalistic rather than idealized.none of the se changes in the Renaissance means that Christian morals and values had changed. In fact, if it delayed to the creative talents of Titian and other artists of the time, the Christian Church still remained consciously guarded, even opposed, towards the use of female as well as male nudity in public sculptures and painting, especially in churches. It was no amazement to anyone that the Council of Trent (1545-1563), Ecumenical Council of the Roman Catholic Church, attempted to bring to a give way the immoral and paganizing elements which had been claimed to become too wide pervade in Renaissance art, infra the authority of classical canons.Female Nudes in Baroque ArtThe Renaissance continued to have an influence throughout the different art movements in European Art. After the renaissance the nude figure fascination continued. This advance artists to renew their outlook on the nude figure and the warhorse tradition. The female nude figure received a fresh new meaning in the art of Rubens, who with much satisfaction painted women with generous voluptuous figures as well as radiant strip. The Baroque flavor for allegories based on traditional metaphors also preferred undraped figures. These figures were used to represent concepts such as the Graces and Truth.Female Nudes in Rococo and Neoclassical ArtIn Rococo art one can see how the rule of the female nude figure evolves and becomes more suggestive the female nudes becomes more playful as well as suggestive as well as playful. This is clearly depicted in art works like in Fig.6 Francois Boucher (Reclining Girl, 1751) and Fig. 7 Jean-Antoine (The Judgment of Paris, 1751).In this painting we can see how the female nude has become more suggestive by facial expression in the way the women is lying on the daybed, on her stomach with her legs spread wide, possibly looking at someone.The more playful depiction of the female nude can be seenFig.8 Joseph Nollekens (Venus, 1773) is an example of Neoclassical female nude. This era was exemplified by sculptor artists such as John Nollekens and more others. These sculptors reconverted to the antique forms and poses of sculptures.http//www.mutualart.com/Images /2009_03/12/0066/134858/134858_8bfc7373-7e4d-423b-a3ed-db57c7e8f0e7_-1_570.JpegFemale Nudes in nineteenth-Century ArtFemale nude figures from 19th-Century Art can be seen as placed in far- fetched, unusual settings, and not everyday scenes as in the other art eras.In this figure we see a nude woman sitting on the march of a bed with her back towards the viewer.When looking at the fantasy images of Sir Lawrence Alma-Tadema an preposterous setting can also be seen. In Fig.9, Sir Lawrence Alma-Tadema (The Tepidarium, 1881) a nude female is lying on what seems to be some sort of day bed. She is lying on a mat made of animal skin and covering her sexual organ with a feather. The extraordinary setting can be related to the name of this painting. Tapidarium is the room between the hot and heatl ess rooms in Roman baths. Her face is slightly morose absent and has no expression on.From these settings one can see that in the 19th century artworks the female nude is merely an object of desire. In these art works women are the sex that is looked at and men are the sex that is looking. The female nudes here dont have much personality the faces are turned away from the viewer or have no emphasis on them. The female nude in the 19th century exists simply to be enjoyed by the viewer who is most likely the male figure. More figures that represent this are Fig.10 Francisco Goya (Naked Maja, 1800) and Fig.11 Ingres (Odalisque, 1841).Female Nudes in 20th-Century ArtIn the twentieth century the academic tradition lost its own cultural superiority, yet the nude figure has remained a steady feature in contemporary or modern art. Artists like Paul Cezanne (Les Grandes Baigneuses, 1900-6), Amedeo Modigliani (Reclining Nude, 1917 and others), Pablo Picasso (Les Demoiselles dAvignon, 1907), and Gustav Klimt (Adam and Eve, 1918) all incorporated the nude female figure into their personal manner. So did all the German Expressionist groups.) In 20th-century sculpture art, realism of the anatomy was anatomical realism was exemplified by the nude polyester figures of a contemporary photorealist artist from America. John De Andrea.The voyeuristic tradition was held constant by Balthus (The Guitar Lesson, 1934 and The Room, 1952), Anders Zorn a prolific Swedish Impressionist (Girls From Dalarna Having a Bath, 1908), as well as a German artist Gerhard Richter (Ema Nude on a Staircase, 1966).ConclusionIt is safe to say that throughout art history and its eras we have witnessed many different approaches towards not only the female nude but the male nude figure as well as subject in art. Every era clearly had changes in its own style and attitude. It is not surprising that after all these years the musical style of the nude female is still popular and is continuously being inv estigated by new breeds of artists in new ways. In this ever changing depiction of the genre it has become widely academic today and can even be said to be pass by some, then being seen as just one more genre art students at college fate to study before moving on to other important matter. This is due to a society that has become saturated with sexual media and causes for the traditional female nude in traditional art to lose its ability to encroachment and titillate. The perception of the female nude has evolved throughout the different eras in art and is seen the way it is seen today because of society and it aesthetics and moralism. I do retrieve that art has influenced the human and evolves with society as the world evolves, thus art has influenced, graphic, interior architectural and other design throughout the centuries.ReferencingVisual-art-corks.com, Female nudes in painting and sculpture Online. Available From http//www.visual-arts-cork.com/genres/female-nudes-art-histor y.htm Accessed 22 skirt 2011Sorbella.J (2008) Metropolitan Museum of Art, The Nude in Baroque and later Art Online. Available From http//www.visual-arts-cork.com/genres/female-nudes-art-history.htm Accessed 20 March 2011